Wednesday, November 14, 2012
POLTERGEIST BS2 ( or not)
Poltergeist doesn't fit a bs2 and I think it could have been better if it had.
I love the movie. I think the first half is amazing...and the end is tacked on.
This might seem like a wishy-washy BS2, and I think it's because the movie isn't a great example of 3-act-structure.
But I'll throw it out there to stir discussion. It's a quickie.
Here we go:
SETUP:
Carol Anne starts talking to the TV. We meet the family. Dad's into real estate.
THEME STATED:
There's definitely a theme dangled out there, but it's not really paid off. It centers around respect for the dead. And is introduced with the burying the bird scene. Ultimately it's revealed the builder just put houses right over grave-sites. This is the 'sin' for this Monster In The House. If you don't respect sacred ground or properly respect the dead you'll pay the price.
CATALYST:
I think the catalyst is what happens in the first three minutes -- 'they're here'...from there it's really a debate of what is here? for the next 30-40 minute.
Chairs start to move. Forks bend. The dog barks at nothing. They soon realize something phenomenal is happening...but not too scary.
A mysterious earthquake only they can feel(another catalyst only it really doesn't change much,it's just in the right spot).
BREAK INTO ACT 2:
Then it gets scary. A stormy night. Spooky. The tree crashes in the window -- seemingly alive and grabs Robbie.
While the parents scramble to save him, Carol Anne is sucked through a portal in the closet.
They can hear her voice through the TV
FUN & GAMES:
They bring in a team of parapsychologists. Their investigation is sort of the forgettable part of the movie. Hardly fun & games. It's a downer after the awesomely fun first act.
There really is no discernible midpoint or all is lost.
Some b-story stuff about giving Steven a new house on the site of a graveyard. Exposition that they moved a graveyard to build their current house.
Eventually, the parapsychologist bring in the psychic who has all the answers. She determines there's a portal to and from the house...and if mom goes into the portal she can get Carol Anne out...
ALL IS LOST:
There's also 'the beast' in there....we need to get Carol Anne out.
Mom goes in the portal...
BREAK INTO ACT 3:
They get Carol Anne out. And the psychic declares the house 'clean' (dumbass psychic).
Really this could be the end of the movie as any family would get the hell out of there clean or not...and the goal of the protags -- getting the daughter back -- is done.
FINALE:
They're moving. Dad goes to 'take care of some things' while the rest of the family hangs at home.
A ghostly attack occurs -- crazy clowns, bodies come up from the ground! Mom clinging to the ceiling. All hell breaks loose as they battle to escape.
And they do. On the way out, determining the graves werent moved afterall, just the headstones.
The house is sucked into another dimension -- ahhh eighties special FX.
FINAL IMAGE:
They get to the hotel. Shove the tv outside. the end.
Flowers For Algernon(Book BS2) by Jason Holborn
Project Title: Flowers For Algernon by Daniel Keyes
Genre:
Out of the Bottle?
- A "wish" to deliver hero from ordinary (be smart)
- A "spell" (surgery)
- A "lesson" (life was better when ignorant (or was it?))
Dude With a Problem?
- An "innocent hero" (altho he asks for it, Charlie has no earthly way of knowing what they're getting him into)
- A "sudden évent" (surgery, tho it's not 'sudden'… however the invitation (prior to opening page) *is* most unexpected)
- A "life or death" battle (check, check, check)
Date: 1966
MORAL PREMISE: "Being stupid makes you easy to get along with; but being smart makes it harder to have friends" is tempting.
Opening Image (1): "Dr Strauss says I shoud rite down what I think and remembir and evrey thing that happins to me from now on"
Theme Stated (5): "Human intelligence means nothing without human affection and human love" (BUT THIS IN THE FINAL STAGES OF THE STORY)
Set-Up (1-10): Charlie is retarded; he works in a bakery where people mock him but he doesn't realize they are doing so. He is amiable and sweet-natured and perseveres: he has been determined far beyond any other retardates to master reading and writing, with hopes of making himself smart.
Catalyst (12): I would say it happens off-the-page, before you meet Charlie. Like Captain America, it's not a catalyst that he stumbles into or happens to him or that he activates: he's just "selected for the experiment", beating other retardate cases
Debate (12-25): Charlie's diary entries grow clearer, denser, he experiments with punctuation and larger words and his thoughts become more complex.
Charlie experiences frustration because he's not smart. Others can see rapid improvement in him, but he is not yet able to "think about his thinking", or discern that he has begun transformation.
B Story (30): Miss Kinnian (Alice), the teacher who passionately fights for Charlie's chance in the experiment, who will later become a love interest and then lover.
Fun and Games (30-55): Charlie learns (many) new languages, gestates economic theorems, develops a holistic and catholic view of human history, and learns that Professors have narrow interests and cannot sufficiently answer his questions.
Charlie begins having flashbacks to buried memories (my interpretation is that he was retarded, rather than suppressing these memories) of a cruel Mother and weak Father. The Mother threatens Charlie with harm or castration, fearing Charlie's retardate nature will not only humiliate her, but take advantage of Norma, Charlie's baby sister
Charlie begins to suspect and then realize his friends do not like him, and use him for entertainment and amusement.
Charlie discovers his co-worker has been stealing from the bakery all along; Charlie was never bright enough to notice before.
Break Into Two (25):
Charlie's fired from the bakery he knows as a home; people can't deal with his change and are frightened. But moreover, Mr. Donner believes that sweeping up and mixing dough is no life for a man like Charlie - with intelligence, Charlie must get more out of the world and out of life. Mr. Donner fundamentally believes he cannot justify employing Charlie at the bakery: Charlie must challenge himself and confront the world.
Charlie conflicts with the researchers, especially Dr. Nemur whom Charlie feels does not see him as a human being.
Midpoint (55) Charlie escapes from the Science Team during the Chicago public presentation, taking Algernon with him. Charlie's now smart enough to no longer be a lab rat anymore; he can control (to a human extent) his life and path and destiny.
Bad Guys Close In (55-75): Algernon begins to mentally slow.
The writing is on the wall for Charlie 2; he ultimately will follow Algernon and revert to being Charlie 1 again
Charlie gets his own home and lives on his own on his savings (by no means a Bad Guy)
He meets his free spirit neighbor Fay with whom he develops a sexual relationship, working through his neurotic fear of women and dirtiness (hardly a Bad Guy)
Charlie returns to the Lab --- but on his condition that he be granted funds and space to participate as a co-researcher and academic (a Good Guy and personal victory)
Break Into Three (85): I'll say "Charlie successfully battles his inner demons to seduce Fay, his free-spirited neighbor." Now he has broken entirely out of childhood and into adulthood.
Charlie discovers what happens to lab animals (ie. he identifies with lab animals): frozen and incinerated. He asks that Algernon be saved from this fate.
Charlie visits his "incinerator", the back-up plan for what to do with him if the experiment fails: the Warren State Home, which he has been afraid of all his life since early elementary school. During the tour, Charlie is superficially kind to a retarded boy with a poor woodworking project; knowing that it's not good but that the boy needs praise. MOMENT OF GRACE Charlie realizes he treats the retarded boy exactly as people once treated him
Charlie's personality disappears; he is now incredibly, brilliantly smart but with no real true knowledge of human relations, he flounders and in his continuous disappointments and frustrations, he develops cynicism and grows cold, experiencing anger. He has a drunken argument with Dr. Nemur.
All Is Lost (75): Charlie announces to Dr. Nemur his findings on Algernon and himself: it is hopeless and Charlie will regress again but...
Dark KNight Of The Soul (75-85): … will struggle against time and circumstance to develop further insight, that his life may mean something for science, and a lessening of suffering for others like him. Charlie thanks Dr. Nehru for all that Dr. Nehru has given to him.
Finale (85-110): Charlie describes his growing memory gaps and increasing frustrations with himself. His writing slowly degenerates back into something quickly approaching his earlier intelligence.
Finale Image (110): In a final, retarded note, Charlie implores the researchers: "P.S. Please if you get a chanse put some flowrs on Algernons grave in the bak yard"
Genre:
Out of the Bottle?
- A "wish" to deliver hero from ordinary (be smart)
- A "spell" (surgery)
- A "lesson" (life was better when ignorant (or was it?))
Dude With a Problem?
- An "innocent hero" (altho he asks for it, Charlie has no earthly way of knowing what they're getting him into)
- A "sudden évent" (surgery, tho it's not 'sudden'… however the invitation (prior to opening page) *is* most unexpected)
- A "life or death" battle (check, check, check)
Date: 1966
MORAL PREMISE: "Being stupid makes you easy to get along with; but being smart makes it harder to have friends" is tempting.
Opening Image (1): "Dr Strauss says I shoud rite down what I think and remembir and evrey thing that happins to me from now on"
Theme Stated (5): "Human intelligence means nothing without human affection and human love" (BUT THIS IN THE FINAL STAGES OF THE STORY)
Set-Up (1-10): Charlie is retarded; he works in a bakery where people mock him but he doesn't realize they are doing so. He is amiable and sweet-natured and perseveres: he has been determined far beyond any other retardates to master reading and writing, with hopes of making himself smart.
Catalyst (12): I would say it happens off-the-page, before you meet Charlie. Like Captain America, it's not a catalyst that he stumbles into or happens to him or that he activates: he's just "selected for the experiment", beating other retardate cases
Debate (12-25): Charlie's diary entries grow clearer, denser, he experiments with punctuation and larger words and his thoughts become more complex.
Charlie experiences frustration because he's not smart. Others can see rapid improvement in him, but he is not yet able to "think about his thinking", or discern that he has begun transformation.
B Story (30): Miss Kinnian (Alice), the teacher who passionately fights for Charlie's chance in the experiment, who will later become a love interest and then lover.
Fun and Games (30-55): Charlie learns (many) new languages, gestates economic theorems, develops a holistic and catholic view of human history, and learns that Professors have narrow interests and cannot sufficiently answer his questions.
Charlie begins having flashbacks to buried memories (my interpretation is that he was retarded, rather than suppressing these memories) of a cruel Mother and weak Father. The Mother threatens Charlie with harm or castration, fearing Charlie's retardate nature will not only humiliate her, but take advantage of Norma, Charlie's baby sister
Charlie begins to suspect and then realize his friends do not like him, and use him for entertainment and amusement.
Charlie discovers his co-worker has been stealing from the bakery all along; Charlie was never bright enough to notice before.
Break Into Two (25):
Charlie's fired from the bakery he knows as a home; people can't deal with his change and are frightened. But moreover, Mr. Donner believes that sweeping up and mixing dough is no life for a man like Charlie - with intelligence, Charlie must get more out of the world and out of life. Mr. Donner fundamentally believes he cannot justify employing Charlie at the bakery: Charlie must challenge himself and confront the world.
Charlie conflicts with the researchers, especially Dr. Nemur whom Charlie feels does not see him as a human being.
Midpoint (55) Charlie escapes from the Science Team during the Chicago public presentation, taking Algernon with him. Charlie's now smart enough to no longer be a lab rat anymore; he can control (to a human extent) his life and path and destiny.
Bad Guys Close In (55-75): Algernon begins to mentally slow.
The writing is on the wall for Charlie 2; he ultimately will follow Algernon and revert to being Charlie 1 again
Charlie gets his own home and lives on his own on his savings (by no means a Bad Guy)
He meets his free spirit neighbor Fay with whom he develops a sexual relationship, working through his neurotic fear of women and dirtiness (hardly a Bad Guy)
Charlie returns to the Lab --- but on his condition that he be granted funds and space to participate as a co-researcher and academic (a Good Guy and personal victory)
Break Into Three (85): I'll say "Charlie successfully battles his inner demons to seduce Fay, his free-spirited neighbor." Now he has broken entirely out of childhood and into adulthood.
Charlie discovers what happens to lab animals (ie. he identifies with lab animals): frozen and incinerated. He asks that Algernon be saved from this fate.
Charlie visits his "incinerator", the back-up plan for what to do with him if the experiment fails: the Warren State Home, which he has been afraid of all his life since early elementary school. During the tour, Charlie is superficially kind to a retarded boy with a poor woodworking project; knowing that it's not good but that the boy needs praise. MOMENT OF GRACE Charlie realizes he treats the retarded boy exactly as people once treated him
Charlie's personality disappears; he is now incredibly, brilliantly smart but with no real true knowledge of human relations, he flounders and in his continuous disappointments and frustrations, he develops cynicism and grows cold, experiencing anger. He has a drunken argument with Dr. Nemur.
All Is Lost (75): Charlie announces to Dr. Nemur his findings on Algernon and himself: it is hopeless and Charlie will regress again but...
Dark KNight Of The Soul (75-85): … will struggle against time and circumstance to develop further insight, that his life may mean something for science, and a lessening of suffering for others like him. Charlie thanks Dr. Nehru for all that Dr. Nehru has given to him.
Finale (85-110): Charlie describes his growing memory gaps and increasing frustrations with himself. His writing slowly degenerates back into something quickly approaching his earlier intelligence.
Finale Image (110): In a final, retarded note, Charlie implores the researchers: "P.S. Please if you get a chanse put some flowrs on Algernons grave in the bak yard"
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